Conceptualised by Ogilvy & Mather, the digital ad film shows how by learning the skill of art at the Asian Paints Colour Academy, unskilled workers can turn into experts and change their lives
Akansha Mihir Mota | Mumbai| July 18, 2016
Asian Paints has come up with a digital ad film to make people aware of its Asian Paints Colour Academy and how it has changed peopleâs lives. The ad with an emotional touch has been conceptualised by Ogilvy & Mather and produced by Filmicians.
Team Ogilvy & Mather, said, âThe brief was to define brand Colour Academy, which is the educational arm of Asian Paints that promises to transform unskilled labour into professional experts.â
The five-minute 43-second film narrates the story of a girl, Saroj, who leads the âfirst all-woman applicator team of designer finishesâ and how the Asian Paints Colour Academy changed their lives completely.
Team Ogilvy & Mather added, âSaroj's story âDignityâ is inspiring because she speaks on behalf of all those hard-working women who haven't got their due for the contributions they make. The skill leads to respect and recognition which brings alive the central thought, âNaam Hoga Toh Kaam Hoga.ââ
âNaam Hoga Toh Kaam Hogaâ is the first recruitment campaign that started 18 months ago. On-ground, radio and print were lead mediums when it started. To recruit participants from small towns and villages, this video was developed to inspire them and played at 'labour mandis'. The academy has trained more than 25,000 individuals to date.
Until the first half, no one could get to know the ad is for which brand, until one sees the logo placed below. When asked about the brandâs integration with the ad film, team Ogilvy & Mather said, âThe effort has been to tell a real story in such an engaging manner that people stick to the end of the film. Branding is situational but impactful as it is not forced at all.â
The production work
The background score and the anthem music are both by Rohit Sharma, known for his work in 'Ship of Theseus' and 'Buddha In A Traffic Jam'.
Recollecting the shooting days, Team Ogilvy & Mather, said, âThe film has been shot in Mumbai in real locations. Casting processÂ went onÂ for over two weeks, and perhaps wasÂ the mostÂ time consuming part of the project,Â as we wanted believable characters as it is a true story.â
The marketing strategy
The marketing strategy is mainly focussed on promoting the film through on-ground activation so that it reaches and inspires unskilled workers across India and that is the reason why Colour Academy is present in remote places like Gorakhpur.
The Ogilvy Team said, âApart from on-ground activation, we have promoted it on social media sites such as YouTube, Facebook, to connect to more people so that they can nominate more such spirited individuals to come forward and take change their lives.â
The filmâs success can be gauged by the three lakh views it received on YouTube.
Saroj was a simple girl with a humble background who used to work as a beautician and contributed to the familyâs livelihood. Her life changed when Ram Milan Gupta, a civil contractor, introduced her to the Asian Paints Colour Academy. Saroj gathered a few more girls from her locality to be trained at the academy with much difficulties and challenges. In the academy, they learnt art from experts in the industry. The actual challenge was when Sarojâs team has to carry out the project with their first client. They not only managed but created work to impress hundreds of customers.
Creative fraternity speaks
Anoushka Adya, Founder and Partner, Di-Mentions Studios, appreciates the efforts put in by the company to show an ad focused on women empowerment. She said, "The concept of empowering women, especially those who do not have the cushion of education degrees, is a powerful one. The niche here is large, because we see a huge number of women who do jobs that are laborious in nature but not well-paying. What they put across beautifully is that yet another conventionally done-by-men job is as ably handled by women.â
She added, âI think they could have avoided depicting the job of a beautician as any less rewarding than a trained painter's because women all over India hire the services of hardworking female beauticians who set up parlours in our neighbourhoods and even make trips to our homes, helping us look the best."
Adding to Adyaâs views, Yash Rege, Associate Creative Director, BBDO India, said, âEvery brand is doing more than just sell itself. It is creating an emotional connection with its consumers. Some do it well, some not so much. This one definitely did well. The film brings out a new idea that women can be professional painters, traditionally a manâs job, in a very real way. And that Asian Paints is enabling them to do so. It immediately becomes inspirational and viral because we can all think of someone who we can point towards the Asian Paints academy.â
Anusree Menon, Director Outreach, DigitasLBi, is in total awe of the film, she said, âThis film is an ode to spirited women whose passion lies in the work that they do. The film started out at a slow pace; however it picked up well and got me hooked right till the end. The brand has brought forth their message in a simple, direct ad film which felt like a five-minute mini-movie. By the end of the film, I was intrigued and wanted to know if the story was inspired by a real life Saroj. The creators anticipated this and introduced us to the real and reel characters simultaneously. The Asian Paints ads have always connected with the audience and this is not an exception. Unlike the other ads that only talk about commercial paints, I was happy to know about their other initiatives. The film made me happy. The simplicity of direct story-telling aided by strong audio-visual clues is a big winner.â
Further appreciating, Akashneel Dasgupta, Executive Creative Director, Dentsu Creative Impact, said, âPrima facie, I think this ad portrays Asian Paints as a brand with a purpose beyond just selling paint, which itself is a great thing for any brand. Though it might be for a particular service offered by the same brand, it would leave a positive impact on anyone who watches it for the overall brand. Asian Paints being the leader is best placed to look and sound inclusive, which it does in this piece of communication.â
But Dasgupta pointed out, âBrand integration is perfect but wish people do not skip after the second minute when things start getting predictable. The opening is very strong, insightful and well written. Execution is certainly above average, connects well in the first few set-ups but slackens as we get to know whatâs in store later. Overall it begins beautifully; wish the end was slightly crisper and less obvious.â
Is the film a little bit stretched?
The film is five minutes and 43 seconds long and because of the story angle and execution, it somehow manages to keep the viewersâ attention until the end. Although as the film develops, what was coming started becoming a little too obvious, this became a hindrance in keeping the viewers glued to the screen.
Varun Duggirala, Co-Founder, The Glitch, finds the film lovely and beautiful, but said, âThe narrative could have been less linear and maybe shorter, would have proved to be more engaging as a film. It feels overtly stretched and could have started in a more interesting manner to garner interest from a digital audience.â
To this Ogilvy & Mather team said, âThe story decides the length of the film. These are basic principles of storytelling. Impact has direct correlation with how effortless are the performances, how seamless in the music and how honest is the intent. It has got nothing to do with duration. We have more stories coming up from Colour Academy and each one of them will be of a different duration as it is not in our hands.â
On the contrary, Adya thinks that the length of the video is not an issue at all. She said, âItâs not about the duration of the film because the short film and webisode kind of a format has really picked up online and if the connect is strong, it shouldn't be a deterring factor in the video being shared across social networks.â
Rege also added, âStories should be stories. When they are rushed, they become ads. People ignore ads. But even today, especially on social/ digital media, they seek out a good story. This is one such story. Kudos to the client and agency team for doing justice to a good story with the long format!
The digital ad film:
Client: Asian Paints
Agency: Ogilvy & Mather
Production House: Filmicians
Director: Rahul Dadda
Creative Team: Creative Director: Anshu Sharma
Associate Creative Director: Sushil Chintak
Creative Supervisor: Prashant Pradhan
Writers: Anshu Sharma and Prashant Pradhan
Â Art Team: Sushil Chintak and Prasad Gurav
Servicing Team: ExecutiveÂ Vice President: VR Rajesh
Group Account Manager: Shloka Shetty
Account Executive: Jinay Desai